South Cambodia photography workshop client slideshow

The aim of our photography workshops in Cambodia is to take beginner or intermediate photographers to another level with an immersive course that exposes them to nothing but photography for several days….It’s intense, it’s hard work, it’s loooong days, the learning curve is steep, but the two key things we wish for all our clients to leave with are the feeling that they improved dramatically in the way they see what they photograph and to have had great fun with a bunch of like minded photographers. Below you will see a slideshow of their final images.  They shot in the south of Cambodia (Sihanoukville, Kampot, Kep) for less than 5 days, some of them arrived with their first camera and little knowledge, but after some careful direction and coaching they have produced nothing short of an outstanding set of images, each and every one of them.

Please enjoy the slideshow and we look forward to seeing some of you on a future workshop here in Cambodia, back in Hong Kong or somewhere else in the region.  You can find more details about our workshops at our homepage under ‘workshops‘ or drop us an email via our contact form.

vimeosouthslides from F8 Photography Ltd on Vimeo.

If you wish to see other images and blog posts from this trip and other Cambodia trips you can see a selection by clicking here.

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog here.

F8 Photography provides commercial photography and photography and video training workshops, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

F8 Photography Phnom Penh - Clients final slideshows

The aim of our photography workshops in Cambodia is to take beginner or intermediate photographers to another level with an immersive course that exposes them to nothing but photography for several days....It's intense, it's hard work, it's loooong days, the learning curve is steep, but the two key things we wish for all our clients to leave with are the feeling that they improved dramatically in the way they see what they photograph and to have had great fun with a bunch of like minded photographers. Below you will see a slideshow of their final images.  They shot in and around Phnom Penh for less than 3 days, some of them arrived with their first camera and little knowledge, but after some careful direction and coaching they have produced nothing short of an outstanding set of images, each and every one of them.

Please enjoy the slideshow and we look forward to seeing some of you on a future workshop here in Cambodia, back in Hong Kong or somewhere else in the region.  You can find more details about our workshops at our homepage under 'workshops' or drop us an email via our contact form.

Phnom Penh Photography workshop - Clients Images slideshow from F8 Photography Ltd on Vimeo.

If you wish to see other images and blog posts from this trip and other Cambodia trips you can see a selection by clicking here.

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog here.

F8 Photography provides commercial photography and photography and video training workshops, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

Phnom Penh workshop underway...mudfest with x100s

Well the day started slow as the flight from Hong Kong with the group of keen photographers was delayed by 2 hours but that didn't change anything other than a faster lunch once they arrived. We went through our composition presentations and were out crossing the river by 4pm heading to a small village on the other side for a baptism of mud and photography.

Fuji X100s in panoramic JPEG mode (12 images stitched in camera, works fine)

For myself I just took the Fuji X100s out and this is actually the first time I've tried to use it properly, its very different from my Leicas but nevertheless it did everything I asked it to without any issues, so all images you see in this post are from the Fuji.

Even though the first shoot was just a taster of whats to come, it was still great fun and everyone was fascinated by how energetic and happy the local kids are around here.

Winnie taking a break and trying not to slide downhill into the river as I almost did a few times!

I noticed Winnie taking some photos with the kids then as she took a break she had that look on her face of elation that happens to everyone when they are around Cambodian people, their zest for life rubs off on you very quickly and they really put our own lives in perspective.  Just being around them, with or without camera is a positive life experience I believe.

These kids swim freely in the Mekong river, hanging on to passing boats and playing wildly in the mud.

Everyone had quick refresher on how to use their metering systems on the cameras and then it was some free shooting time to seek out some willing subjects, of which there is never a shortage in Phnom Penh.

No tyre swings here, but the bumper tyres on boats work well as a makeshift chair until the boat leaves.

We were lucky enough to have our own personal acrobatics display team at the village.

Who needs a diving board? Just climb up the nearest ferry and use that as your diving platform.

Lydia has her first mud spa shortly after arriving in Cambodia and Sammy our driver helps wash up.

Lydia joined Gary barefoot to try and get some extra grip in the mud, but it wasn't helping, luckily the rain had now stopped but left the ground soggy and slippy....photography can be a hazardous sport you know...but getting a good mudpack on your feet is good for you (so i'm told) :-)

Steve (right) and Andrew (back left) taking a break from the heat at a roadside cafe.

After an hour shooting it was time for a quick refreshment before hopping back on the boat to the other side and clean up for our first dinner at the FCC (Foreign Correspondents Club), an apt location for dinner on the first night as its perhaps the most heritage building for photographers and journalists in this town with its rich history associated to the Vietnam war era.

A curious girl watches us with nervous curiosity..."who's this gang of photographers in my village"?

Tomorrow morning its an early start, up before dawn to get the beautiful Cambodia sunrise and then off around Phnom Penh to some great locations and hours of photography....will update in a few days with the gang's progress here, watch this space...

Canon 50mm 0.95 on Leica M9

Christmas and New Year 2012/2013 was spent in Phnom Penh, Cambodia with a motley crew of other photographer friends from around Asia.  Whilst there my ex-army buddy and fellow Leica shooter Trevor had brought along his old Canon 50mm 0.95 lens to test on the Olympus OMD. Me with the M9P and Canon 50mm 0.95 fitted to the camera

The lens has previously been converted to Leica M Mount so of course I couldn't resist to have a play with it on the M9P despite already having a 50mm summilux with me for this trip.

I have tested a few other fast 50mm lenses in the past on Leica, including the Voigtlander 1.1 and SLR Magic hyperprime 50mm 0.95.

A great portrait lens, dreamy backgrounds and smooth skin tones

This Canon lens is a different beast, as heavy as the Leica Noctilux or SLR Magic lens, but much shorter, almost stubby, which is cool.

Nothing plucks a subject out of the background like a 0.95 lens

The first day I used this lens i wasn't sure about it…the look of the images was so different to the 50 summilux, i almost dismissed it, but I gave it another few days and shot for several hours each day with only this lens and after less than a week have completely fallen in love with it. 

For sure it has a unique look to it...some will love it, others may not care for it....but for sure you won't find it with other lenses

The reasons are shown in a few of the images below.  Like any extremely fast lens, if you misfocus even slightly, you are screwed, it looks terrible, BUT if you get it right, the look is completely unique and like nothing i've shot before.  I'm not saying its better than a Leica Noctilux, but two things for sure….its a damn site cheaper (i.e. you could buy this and a round the world trip for the same price as a Noctilux), and the build quality is amazing.  I have no idea how old this particular lens I'm using is, but its built like a tank, solid, perfect glass, super smooth movement, zero focus shift at any distance as far as I can tell and technically as good as any Leica or Canon L lens build quality I've used.  Shot in very low light, even the summilux would struggle in this light, a breeze for 0.95

The Bokeh is a bit of a 'love/hate' scenario I imagine for many people.  I wasn't sure at first as i said, as its very swirly, almost painterly with some backgrounds, and of course this won't be to everyone tastes.  That said, to try and reproduce these kind of looks with anything other than a 0.95 lens is impossible, so for that alone I think its a very interesting lens for any Leica user that seeks that 'dreamy' look.

I took a few shots with the lens wide open and stopped down to F4 and beyond and found it to be extremely sharp (images below shows this with 100% crops), however for me its pointless to use this kind of lens at anything other than wide open at 0.95.  Its so much heavier and bigger than a 1.4 or F2 lens, it wouldn't make sense to use this instead for those apertures….this lens screams to be shot wide open for those dreamy looks, in fact if the aperture ring happened to jam locked on 0.95 I wouldn't be worried, as thats the only aperture I'm interested in shooting it at.

wide open at 0.95

100% crop at 0.95

stopped down to F4

100% crop at f4, as sharp as any other 50mm I have used at F4

I am looking forward to shoot more with this lens in the dark streets of Hong Kong (we generally have a few stops less light than most cities in asia thanks to the China factories spewing a cloud of pollution over the city that acts like a 30 miles wide ND filter!), it will enable me to get shots in light that is impossible with any other combo that I own.

Here are a few more shots of Trevor that are direct from camera JPEGS set to black and white mode with various contrast settings in camera only on the M9P.

This image below shows perhaps the most random thing I ever expected to see in Cambodia at Christmas....a reindeer!!!!!! lol, shot wide open at 0.95.

Final shot that showcases the bokeh again of this lens

Final thoughts and recommendations:

Do I recommend this lens? YES, 100% if you are looking for a 'dreamy' rendering super fast lens and don't have or want to spend the budget on a Noctilux, then look no further.

Is it sharp enough?  YES, I have posted a few images above then a 100%crop from those images.  I hope anyone viewing them will agree that for a 0.95 shot, its more than sharp enough when you hit the focus right.

Is it affordable?  Its not cheap, but when you are looking at 10,000 USD for a Noctilux, it's comparatively extremely good value as another option to Leica.  Of course other options are the Voigtlander 1.1 lens which is about half the price again….but I couldn't fall in love with that lens personally when I tried it a few years ago, it was nice, sure, but for me it lacked character any …..something the Canon 0.95 just oozes.

If you wish to see other images and blog posts from this trip and other Cambodia trips you can see a selection by clicking here.

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog here.

F8 Photography provides commercial photography and photography and video training workshops, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

Cambodian Colour - from dawn til dusk

It was an early start today, 5.30am, out to the ferry port to shoot the workers arriving to Phnom Penh from across the Mekong river.  The great thing about shooting this location is that I could see it easily from my hotel room window...so could do a quick check to make sure the light was developing well before getting ready...(I'm so lazy...this is why you see very few landscape photographs from me).

After shooting the workers and boat people arriving there for the 15 mins of good light, the sun was up and it was back for breakfast before we headed out to scout another new location just outside the city which used to be a lake but has mostly dried up with just a few water channels remaining.

The thing that struck me about this district was 'colour'....the light was great, the buildings were painted in pastels and the kids were dressed in vibrant colours, it just all 'popped'....the other thing that popped was my shoe, which 'popped off' when i got my leg stuck in some swamp when i was trying to shoot some kids sitting in old boats...lol...a small price to pay for the rewards of the images today.

Yet again we were met by all smiling happy faces, the kids were playing all sorts of games and keen to show off to us at every opportunity.  Another successful day in this wonderful country, looking forward to a 5am start again tomorrow morning (you don't hear me say that very often...:-))

Here's a few more images from todays shooting, all shot with Leica M9P and lenses from 35-75mm.

If you wish to see other images and blog posts from this trip and other Cambodia trips you can see a selection by clicking here.

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog here.

F8 Photography provides commercial photography and photography and video training workshops, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

Back to Phnom Penh (Day 1)

'In the avenues and alleyways' M9P, 35mm 8 elements

We've had a crazy busy few weeks in Hong Kong leading up to Christmas, shooting tens of thousands of stills images for commercial work and several commercial video projects have kept us busy right through December, so it was high time for a short break and catch up with some fellow photographers on a jaunt to Phnom Penh in Cambodia.

'Welcome back to Cambodia, step inside', M9P, 24mm

So far I've only been back here one day, but already i can feel the stresses of city life easing away into the background as I wander the vibrant streets of Cambodia meeting some inspirational characters and getting back to basics shooting only with Leica rangefinder.

Shooting thru the Tuk Tuk canopy to create a natural widescreen effect, M9P, 75mm

All the images here were taken over the space of 3 hours on the first day.  Yet again for me i find inspiration on every street corner in this wonderful country, and am lucky enough to have 3 of my best friends all shooting with me, Trevor, my old army buddy has travelled all the way from Riyadh in Saudi Arabia to shoot here, Stephen Patterson from China has come via Thailand and the North of Cambodia to join us in Phnom Penh and Steve managed to escape Hong Kong a day earlier than me to get a head start with his trusty Canon rigs.

Pastel colours are everywhere, M9P, 35mm 8 elements

We are exploring some different areas of the city this time, as we have become familiar with several districts now so wish to explore some of the even less trodden sidestreets around town, am very much looking forward to unveiling some new characters.

Peek-a-boo from Mummys bike, M9P, 50mm Lux ASPH

We will be back in Cambodia for another workshop in the south in February 2013, but for the meantime we will continue exploring Phnom Penh...this must be my 12th or 13th visit to this place and it never ceases to impress me, the people are so friendly, the light is great, the colours are amazing and the company is good.

Heres a few more images from the first day and wishing all a Merry Christmas of photography that for me will be spent with a bunch of fellow photographers.

Cheers!

Washing line, M9P, 35mm 8 elements

Home Sweet Home, M9P, 24mm

Looking at me?, M9P, 50mm Lux ASPH

Colour, colour, everywhere, M9P, 50mm Lux ASPH

F8 Photography provides stills and video production for weddings, events, corporate, commercial, training, sports, documentaries and NGO projects around the world, to see more of our work our meet us to discuss a project, please contact us here: info@f8photography.com.hk or check out our work via the galleries that can be accessed from the front page of our website here.

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog here.

F8 Photography provides commercial photography and photography and video training workshops, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

GUEST POST: Andrew - Cambodia Photography Workshop

Note:  This post is written and all photos by Andrew Hardacre (less portraits of Andrew) who travelled to Cambodia with us.  Andrew shot with a combination of Leica M9 and Fuji X100 for this trip.  This is his story.

Photography biorhythms was a new concept to me. Rise at 5.30am, bed at midnight. Flat out. All day, every day.

Gary warned us that we would burn out if we tried to do this. I didn't listen.

The evidence however is in the catalogue. A few gems taken in a burst, followed by long interludes of the mundane. Devoid of inspiration, no spark. Fortunately I did listen to everything else he taught us. I can't promise I can put everything into practice at once. I do however have a much better understanding of the importance of colour, how to engage a subject and the value of a tight frame.

I was already a black and white junky but although I still think B&W first, I can now see why in the past my colour images often failed. I need to go and seek out colours that work and be more selective in what I shoot.

And the really big lesson is then selecting what to keep and what to trash. Forced ranking the day's files down to 20, then 15, then 10....... that was interesting.

(Andrew scouting for new subjects from the Tuk Tuk)

On day 1 and 2 the challenge was to decide which 20 to put up for critique. By the end of day 4 the problem was the other way round. Can I find 10 worth showing out of the hundreds I have taken.

I compared this in my blog to doing a language immersion course and I guess that is pretty close - this is an immersion course in the language of light. Me definitely Leica :-)

Note from Gary from F8 Photography:  Andrew produced an excellent body of work during the 3 day workshop.  Andrew was one of the most self critical members of the workshop - this is something I consider to be a great asset as a photographer, you MUST be able to criticise your own work and be open to constructive criticism in order to grow.  Another point from me was that Andrew explained to me before the workshop that he had spent little time photographing 'people' as he is a big fan of nature and landscape photography, and he wanted to expand his portfolio with 'people'.

(Andrew and Gary chilling out whilst waiting for the boat to ferry them across the River Mekong)

I think it is very evident in this short showcase that Andrew easily achieved his goals and produced some fantastic environmental portraits and close up character studies.  It was a real pleasure having Andrew with us on the workshop and we very much look forward to spending time shooting with him again in the future.  In the meantime, here are a few more images of Andrews from the workshop and some links below to his blog:

Andrew has his own blog that showcases more of his images from Cambodia and his other photography interests also, please take time to go have a look, heres the link below:

ANDREWS PERSONAL BLOG

We will have other posts from the workshop attendees as well as behind the scenes shots and video coming soon.  Please stay tuned for that, you can now 'search' the blog on the left side of this post to find subject posts easily, try typing 'cambodia' to find all our posts from there if you wish to read more.

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page or on the 'LIKE' box to the right side of this blog.  You can share this story with your friends with the Facebook and twitter links below or on the left side of this blog.  You can also subscribe to our blog via the RSS link below or on the right of this post.

F8 Photography provides commercial photography and photography and video training workshops, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

Interviewed on Eric Kim's Street Photography Blog

In March 2012 we ran a street photography workshop with Eric Kim from Los Angeles in Hong Kong, it was a great success with 24 very happy clients over the course of the weekend.  Eric recently asked me if I could do a quick interview for his blog, so I'm just re-posting it here for anyone who wishes to view it: CLICK HERE TO SEE THE INTERVIEW WITH F8 PHOTOGRAPHY ON ERIC KIM'S WEBSITE

When Eric was in Hong Kong I also interviewed him on video, you can see that video below (if doesnt appear immediately, just refresh the page)....

Eric Kim interview in Hong Kong from F8 Photography Ltd on Vimeo.

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and photography and video training workshops, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

Tsim sha Tsui at 0.95 in low light

(The back alleyways on Chunking Mansions, great light always) Note: All shots on the Leica M9 with SLR Magic 50mm 0.95 hyperprime.  All processed with VSCO Film Presets in Lightroom 4.

Tsim sha Tsui is one of my favourite places to shoot in Hong Kong, you have the diversity of rich and poor all in a very tight community, with alleyways connecting the designer shop streets the the drug dens and everything in between.

I have been testing the SLR Magic 50mm 0.95 lens for a few weeks now, and am thoroughly enjoying the experience, and again this was my weapon of choice on the M9 for some nice grungy low light portraits and street images around this interesting part of Kowloon for a few hours last night as I tried to escape the mayhem and overspill from the Rugby 7s tournament on Hong Kong Island.

(A very friendly gentleman with his grandson)

The characters around this part of town range from the super rich, shopping along Canton road, laden with bags from Gucci, Dolce & Gabbanna and the likes...to the homeless and everything in between.  This is a normal reflection of Hong Kong life in most parts of the city actually, this diversity makes shooting on the street very appealing, I love how I can be shooting a model outside a store, then 10 seconds later I'm haggling with sinister looking characters in a back alleyway over whether they should allow their portrait to be taken (every time I do that, I have so far had no problems at all, I even take these guys prints back and they are actually very friendly towards me - like everything in life, its all about perception, if you act scared or threatened, generally people will react accordingly, reassure them and yourself that you are doing nothing untoward, and you won't go far wrong...just keep a friend close by to keep an eye on you ;-)).

(Becky and Rocco looking for images around Chunking Mansions)

(Practicing fast focus at 0.95 on a passing taxi...this is how I fine tune my focussing speed :-))

Anyway, more about the lens....I am using it almost daily now, and am finding that I can nail the focus even wide open most of the time, this comes about simply by shooting several hours a day, so I am getting plenty of practice, and am out shooting at every available opportunity with my M9.  I have noticed no focus shift on this lens whatsoever, at any aperture, and once stopped down past f2 it is way sharper than my summilux lens was before (i owned a non-asph version), which was sharp, but I cannot compare with the latest version.

(Gentleman in the alleyway doing boxing training, super friendly guy)

The only downside to this lens as people who have seen it will know is the weight, its a big piece of glass, but thats the compromise for 0.95, need a big hole to suck all that light in, and for me its no problem, I would rather carry this lens and have that option.

 (This giant of a man approached looking wary, after a quick chat, he became a new best friend)

These few pictures show how this lens comes into its own territory, shooting in dark alleyways with only the odd small streetlamp to work with, it just sucks up all the light and gives me fast shutter speeds even at low ISO and makes shooting in this low grungy light a simple task.  None of my other lenses even get close, the M9 is renowned for not having great high ISO quality, so for me this is the answer at night.

(Friendly character inside Chunking Mansions spent 10 minutes telling me the best places to shoot in Delhi!)

I have heard some people mention on my blog about 'purple fringing'....If the focus is off, then sure, you will get that with any lens when shooting into light with high contrast subjects around the edges, you can see from the colour samples here, I have done no 'fringe removals' of any kind, I have simply used '1 click' presets from VSCO film presets for lightroom 4 to give me the tones I desired from the M9 RAW files, I have not retouched the images in any other way.

(Nice chaps from Ghana, happy to pose for me inside Chunking Mansions)

Below is a portrait of Becky, one of my friends who was out shooting with us around the area, I just love the way this lens renders, to me it is a classic style, and it really copes well when shooting into the light and gives lovely lens flare effect that I do not find distracting at all, this is my opinion only of course, but from all the lenses I have shot, I really don't see any problem with this effect here.

(Becky posing with her trusty 5D II, her weapon of choice for photography)

The hub of activity around Tsim sha Tsui gives a photographer so many opportunities, I was actively looking for scenes like this one below last night, trying to find something quirky through glass, using the shallow depth of field to my advantage to help separate the subjects from the background and foreground.

(Shooting candids through the windows)

(Shooting candids through the windows)

Even late at night, all the restaurants are busy and full of activity around Hong Kong...I tend to shoot a lot of stuff at night, theres more shadow and contrasty light around, and usually easier to find interesting 'characters' to shoot around town.

(Chef on a break outside his restaurant - he cheered up immensely when I showed him the image)

After a couple of hours round the back alleys, I headed back to the Star Ferry along Nathan Road, which is always full of interesting characters aswell, whether its someone trying to sell you a copy watch or handbag, to the interesting characters just going about their lives, normally I have had no problem with shooting people in this area, just smile if they see you, and I almost always then engage them in conversation, exchange business cards and send them their photographs, makes getting out and shooting a very social and enjoyable experience, this is my therapy, it keeps me sane!

(Sitting on the fence - again, he grinned ear to ear once i showed him the image)

(Interesting outfit - passer by on Nathan Road)

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

Street Photography with Fuji XPro1

NOTE:  All images shot on Fuji XPro1 and Fujinon 35mm 1.4 lens with autofocus only.

We've had our hands on the Fuji XPro1 for about a week now, and starting to get used to it and its nuances. Yesterday myself and a few friends met up in Soho and headed over to Temple Street in Kowloon which is a great little area for street photography with vibrant buzzing markets and even more vibrant characters around the place.

After a short trip on the ferry across the harbour, we walked up Canton Road, which has a lot of the big brand shops and is always full of characters, a great area to warm up before hitting the markets further into Kowloon.  You can always be sure to see hundreds of mainland tourists spending their fortunes around here on designer brands.

This was the first full day of shooting the XPro1 in this environement for me, and using only the 35mm 1.4 Fujinon lens in full autofocus mode (I believe the manual focus with the fuji lenses is totally useless as its fly by wire only), which means there is no tactile connection between you and camera/lens...its way too slow.  If using manual focus with other lenses such as the Leica lenses, its brilliant, I don't know why they insists on developing a fly by wire manual focus system, it really is completely unusable in my opinion unless you use it exclusively for 'zone focussing'.

So, I decided to shoot everything with autofocus.  There has been much debate about the AF capabilities of this camera in light of the X100 problems.  I can say this....yes, its not perfect, however, it is pretty fast (if the camera is kept awake) and it nailed 95 percent of my shots without a problem.

I shoot very fast when in the streets, so normally i use zone focussing, so using AF was almost a step back for me, however, I think this environment was the perfect test for this camera, as I believe many people are looking at the Fuji as a viable street photography/travel photography replacement for their DSLR or even as an alternative to the Leica M system such as M8/M9.

I shot everything in RAW, converted via the Fuji software supplied with the camera, then edited in Lightroom 4 using VSCO film presets set to Kodak Portra 400 for all images other than the black and white conversion using Niksoft Silver Efex Pro 2.

A quick note on the VSCO film presets - If you are looking for a good film emulation preset for lightroom, then look no further, these really are good, I have hundreds of presets and I keep going back to these ones, I believe they are the most realistc set available, and I am eagerly awaiting a specialist set from the for Leica and who knows maybe a Fuji specific set also, as they tweak camera calibration settings in RAW also, not just basic adjustments, they have camera specific versions for Canon and Nikon already, as well as a generic set for other cameras for now, and they have promised to release Leica specific profiles, which I hope to get my hands on as soon as possible.

The markets around Temple street - as you can see from these pictures have a diverse mix of characters.  Although its probably classed as a 'tourist friendly' area, there are still a lot of things going on behind the scenes here, with triad activity and in particular prostitution clearly visible on the streets even in the middle of the day.  Any photographer visiting this area should be aware that most of these girls will react quite adversely if photographed....some are friendly of course and don't seem to mind....however, if unsure, then my advice would be just stay well away from shooting anyone you think may react negatively.

I noticed many muslim girls around the markets when we were shooting, so approached them to ask permission to take their picture as they were wearing some great colours.  All of them were more than happy to be photographed.

The Autofocus on the Fuji had no problem at any stage with shooting a diverse mix of subjects, and as the image below shows, shooting into the sun, (sometimes difficult for autofocus), there was again no problems with the performance.

Two of the young ladies accompanying us on this 'photo walk' were Becky and Cheryl, both previous attendees of the street photography workshop, Becky was keen on shooting her 5DII using zone focussing to get her shots, whilst Cheryl preferred to use her new Canon S100 (I think that's what it was), for speedy and discreet street shooting.

This gentleman below was a great subject I thought, he was just squatted on the road, laughing continuously, and was more than happy to be photographed.  I noticed on closer look that he had a cigarrete in one hand and 3 spares in the other!!! Thats what I call chain smoking!.

The only lens that I used during this trip was the Fujinon 35mm 1.4, which so far I must say is a great lens (as long as not using manual focus - way too slow), normally I shoot much wider for street photography and closer to my subjects, but this seemed to work well on this day for me.   I keep emphasising about the autofocus - and again you can see from the image above, quicky focussing on the cigarretes on the bottom left corner of the frame, it had no problem locking on and giving me the desired focus point.

The total time we were in the markets was only about 2 hours, and I found the camera consistently delivered the results I needed.  I have tried this camera with a Leica M mount adaptor and the 35mm F2 ASPH lens also, and the results were quite spectacular, very clean and sharp images, very easy to focus using the EVF its really great with an M mount lens for this, my wish would be that it had 'focus peaking' similar to the NEX-7, then there would be no need for me to zoom in to fine tune focus using the rear dial, especially with wide lenses as its a bit harder to fine tune the focus than with a longer focal length lens.

This fantastic gentleman was more than happy to let me take his portrait and yet again the fast performance of the Fuji XPro1 had no issues nailing the shot for me.  Something else I have noticed is that the metering system of the camera seems to overexpose about half a stop most of the time...I consistently left the camera set to -1 or -2/3 to get more accurate exposures, but this is not a problem for me, I just think it takes a little bit of practice, figure out where all the buttons are (there are a lot on this camera that are easy to press by accident...) then it will be fine.  It's just like any other camera tool, we need a bit of time learning our way round it, and then there won't be any issues.

Overall I am very pleased with this camera when using it for street photography.  Being a similar size to my Leica M9, the feel was quite similar and I believe its a perfect size for this style of photography.  People aren't really intimidated by a camera this size compared to a DSLR with a big zoom lens, its ultra light (maybe feels even a little too light for me - again i'm comparing the the tank like construction of the Leica which many won't like).

So my final thoughts are as follows:

Recommended for street photography - A BIG YES.

Recommended to switch if you already have a Leica M9 - personally NO, but I think many will....

Recommended for manual focus with Fuji lenses - NO WAY!

Recommended for manual focus with M lenses - YES, REALLY WORKS GREAT.

Recommended for anyone wishing to switch from DSLR or looking for travel photography camera - YES YES YES.

So, I won't be swapping it for my Leica just yet....but I can still highly recommend the camera, its ergonomically great, looks the part, and I personally haven't had any serious issues with autofocus.

I have another blog post using this camera at night with a 50mm 0.85 lens from SLR Magic, if interested to see the image from that, please click here.

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

Guest post: Shooting film in Cambodia (Rocco)

Note:  This post is written and all photos by Rocco Paduano who attended both our Street Photography and Cambodia workshop over a period of two weekends.  Rocco is partial to film cameras as well as his digital M9, this trip he took both, this is his story. - Gary Tyson, Director F8 Photography.

(Playful children jump onto our Tuk Tuk, Leica M9, 35mm)

It was with great anticipation that I awaited being able to spend five full days in Phnom Penh along with Gary Tyson from F8 Photography, Ranjit, and Trevor Smith on a travel photography workshop in Phnom Penh, Cambodia.

(The author, Rocco Paduano in Phnom Penh)

As a veteran of the Hong Kong Street Photography workshop, which Gary organised with Eric Kim, I could not wait to put some of the knowledge gained to test in and around Phnom Penh.  However, I did not want to just document random images of life in such a colorful city.  I wanted to be able to tell a ‘story’, and somehow begin to build some consistency in the types of pictures I was producing therefore I am hopeful that I am moving in the right direction.

(Taking a break from reading lessons at a local Wat for a photo, Leica M9, 35mm)(Giving back pictures was priceless, Leica M9, 35mm)

Cambodia is a daunting place to say the least.  As one of the poorest South East Asian nations, ravaged for the better part of the 20^th century by different conflicts, it was witness to one of the single most brutal acts of genocide humans ever inflicted on each other.  One reads about the rule of the Khmer Rouge between 1975 and 1978, and one can only imagine what the Cambodian people had to endure in the name of totalitarian ideologies.

(Pictures of genocide victims at Tuol Sleng S-21, Leica M9, 35mm)(Interrogation room at Tuol Sleng S-21, Leica M9, 35mm)(Confinement cells at Tuol Sleng S-21, Leica M9, 35mm)

However, today the country is young (approximately 50% of the population is below 22 years of age), full of hope, and full of smiles.  As photographers seeking to hone our skills and to explore a life beyond our own, we were always welcomed with a smile and a “hello”, mostly by people living on the fringes of society.

(Young child from a poor neighborhood near Phnom Penh train station, Leica M9, 35mm)

I originally envisioned doing most of my shots in black and white, in good old ‘street photography’ style.  However, I soon realized that ‘street photography’ takes on a whole new meaning in Phnom Penh.  People pose for you.  They want their picture taken, thus making the whole notion of ‘street photography’ much harder to define in the usual context.  We migrated towards a photographic style that was more ‘documentation’ (or as Gary would call it, ‘environmental portraiture’), than candid ‘street photography’.

(Street fruit vendor, Leica M9, 35mm)

Amazingly, while shooting in poor neighborhoods, we all realized that we were inundated with color.  From the shadows cast in tight alleyways, to the color of the unpaved roads, and that of the clothing worn by the people, it did not seem as if we would be doing any justice by capturing these images in black and white.  I shot digital with an M9, and film with an FM3a.  Although I took many shots with the M9, I found that the pictures that talked to me the most came from the FM3a.  Color slide and black and white films have characters of their own and add a unique personality to the image (assuming the exposure is correct).

(Making sarongs the old fashioned way, Nikon FM3a, 50mm, Kodak BW400CN)

(Old villlage woman, Nikon FM3a, 50mm, Kodak BW400CN)(Ferry boat hand, Nikon FM3a, 50mm, Kodak BW400CN)

 Our trip started out just right, as we congregated at the Foreign Correspondents’ Club along the Mekong River; a place that has hosted numerous war photographers as they documented Cambodia’s turbulent history.  There was no shortage of inspiration as the walls of the FCC are covered with past and present images of Cambodia and its people, through war and peace.

(The author Rocco (right) with RJ in the Tuk Tuk out looking for photo opportunities)

(Gary and Ranjit taking a break with the Captain whilst crossing the Mekong, Nikon FM3a, 50mm, Fuji Velvia 50)

With that, we embarked over the next five days into outings that would surround us with a reality somewhat foreign to us.  Between poor city neighborhoods, Wats and Buddhist monks, villagers and farmers on the outskirts of the capital, there was no shortage of smiles, new friendships, and plenty of experiences.  There was, however, a shortage of photo paper and photo ink, which was rectified by a quick visit to the local Canon supplier.  Being able to give an instant print of the pictures we were taking allowed us to give something back to the very same people that gave us so much visual inspiration.  It brought them closer to us, and allowed us to establish a connection with them even through our language barriers.

(Young monk, Nikon FM3a, 50mm, Kodak Elite Chrome 200)(Young village siblings, Nikon FM3a, 50mm, Kodak Elite Chrome 200)(Saffron tunics, Nikon FM3a, 50mm, Fuji Velvia 100F)

 Shooting in Phnom Penh was a totally new experience as to what I have been used to lately.  In Hong Kong people are less likely to pose for you, or even take the time to pay any attention.  Thus, ‘street photography’ takes on a different style; furtive and stealthy, candid and more likely to be black and white.  There are a lot less smiles in Hong Kong, and a lot more chances of a ‘confrontation’ with someone that does not want their picture taken.  It is a stark contrast to what we were faced with in Phnom Penh, where people with relatively little smiled and were happy to share a sliver of their lives with us.

(Old village man, Nikon FM3a, 50mm, Fuji Velvia 100F)(Proud father, Nikon FM3a, 50mm, Fuji Velvia 50) (A great way to end the day! Nikon FM3a, 50mm, Fuji Velvia 50)

As we returned to Hong Kong, I am sure all of us contemplated the past five days.  Phnom Penh and its people certainly left a mark, and gave us a different perspective even on our own reality.

Final note from F8:

Gary, the Director of F8 has also written a blog post about his experience, that can be seen by clicking here.

Another of the workshop attendees, Trevor, has also written a blog post about his experience, you can read that here.

Also, Gary's assistant RJ wrote a blog post about the same trip, that can be found here.

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

Guest Post: My Cambodia experience (Trevor)

Note:  This post is written and all photos by Trevor Smith who attended both our Street Photography and Cambodia workshop over a period of two weekends.  Trevor works in Saudi Arabia so had a long journey to be with us, this is his story. - Gary Tyson, Director F8 Photography. (The eyes are the window to the soul...)

After a weekend with Gary Tyson of F8 Photography and rising street photographer Eric Kim on their street photography workshop in Hong Kong, I was brimming with confidence and keen to test myself armed with new skills as well as explore  a different country which is recovering from an extremely brutal past.

Flights all booked and kit checked we were all set, but sitting in Gary’s office waiting to go to the airport....the flight time was approaching fast and Gary, the consummate professional had to tie up any lose ends before the trip, which almost made us miss the flight, so a mad dash to the airport started off the adventure to Cambodia.

The plane doors opened on the airstrip in Phnom Penh onto a sweltering heat that smacks you in the face.  Eventually through Immigration, customs and red tape we fall out into the night heat and manic road system towards our hotel.

(Weather and light was harsh for many landscapes but I tried where I could)

An early rise the next day for a full days shoot, bright eyed, bushy tailed and excited. After a typical English breakfast (you can take the boy out of England but not the …. Well you know).

Gary recalled what was to be our trusty and faithful Tuk Tuk (Motorbike/Mopeds with carriage) driver (Gary has used him many times on his previous exploits), his orders were find us a typical riverside shanty village along the Mekong.

From his vast experience as a Photographer and many visits to Cambodia, Gary briefed us as to the type of photos and the kind of reception we could expect along with all the technical jargon my tiny brain could handle.  Sam (our Tuk Tuk driver acted as translator, explained our presence and intention and always asked people if they minded us photographing them, normally with a promise of a print for them to keep).

(A motley crew...Rocco, RJ, myself and Gary from F8)

It was hugely daunting for me (as well as I suspect for the village dwellers), we were swamped by laughing, excited kids and curious, smiling, coy adults wanting their photos taken by these funny looking people, most are happy to see their face on the LCD screen as this is the closest they will be to being on “TV”, so they were astonished when we gave them a printed photograph.

(kids and villagers around Phnom Penh and Mekong Island)

Two hours whizzed by as did a whole pack of photographic paper used on the portable printer Gary brought along. Photos were dished out to old and young alike and each one was received with pure delight and excitement (what a great idea and a great piece of kit the Canon Selphy 800 printer is).

(Every travel photographer should have one of these printers at all times!)

Back at the hotel we swapped stories and compared images, had lessons on Lightroom and Silver Efex Pro 2), post processing (editing if you prefer), in essence this told Gary what he needed to know about our individual strengths and weaker areas which he could mentor us on, one to one throughout the next few days shooting.

(local villagers greeted us with friendly curiosity)

The next few days were photos, photos and more photos with visits to different villages, markets and pagodas. We also took some time to visit the infamous and very solemn S21 prison and killing fields which I’m not going to dwell on as this was a very sombre experience that contrasts with the vibrance of life now prevalent in Cambodia.

(the infamous S21 prison camp)

One of the days we took a trip to a Buddhist commune, which had lots of homeless people given shelter and food by the monks, this included children that were being schooled when we arrived.  They took (I’m guessing) a welcome break to afford us some photo opportunities.

(children living with the monks at the Pagoda)

Every Buddhist male is expected to become a monk for a period of his life, optimally between the time he leaves school and starts a career or marries. Men or boys under the age of 20 may enter the Sangha as novices nowadays they may spend as little as  1 week or 15 days  to accrue merit as monks. These communes/monasteries are the heart and soul of such communities.

(a very proud child monk)

That particular Monastery was deemed quite “Rich” in comparison to many.  Sam our tuk tuk driver suggested we take a trip onto 'Mekong Island' which was a completely different way of life for both residents and Monks alike much more rural but none the less spectacular and humbling. The moment we arrived (and pushed the Tuk Tuk up the dirt tracked hill) we were greeted by mopeds full (3, 4 and sometimes 5 passengers) of happy, smiling faces that followed us up the track waving all the way and of course riding ahead to tell everyone else. Young and old alike were out waving.

(shooting the kids on the island)

(villagers greet us with Gary from F8 in the background shooting us working)

After several interesting photo opportunities along the way we arrived at the “poor monastery” which looked deserted less a strong looking old man sweeping the courtyard. Sam did his thing and the old gent said it was okay to take photos as long as we asked before snapping someone.  After 10 minutes of snapping the old man we heard youthful giggling coming from just around the corner. Gary led the way and asked the monks (aged around 17 - 20) if we could photograph them upstairs in their accommodation from where they gazed down at us, which was a simple would structure without decoration or paint etc.

At one of the poorer Pagodas on Mekong Island)

Unfortunately the batteries ran out on the printer so we vowed to return the next day with photos (which we took down the local print shop and printed in large format as they were particularly patient with us, taking so much of their time).  We returned with the photos and an offering of a 50kg bag of rice (which we know helps feed the monks and the people living around the monastery). We received a blessing from the main monk (excuse terminology). Further up the track there were female Monks and some field workers which again provided some great photo opportunities.

(I can't beleive he chose the same colour as me...:-))

Before heading back to Hong Kong I thought I better get a traditional shave and haircut!

(street barbers give you the best shave and haircut for 2 US dollars!)

Then it was time to fly back to smoggy Hong Kong came far too quick and although I cant put my finger on the reason why, I was very sad to leave Cambodia.

I was completely blown away to see such poverty and yet the amazing people therein, always had a smile and warm greeting as long as you were willing to spend the time of day with them.  A note here is DON’T JUST ARRIVE, SNAP AWAY AND DRIVE OFF AGAIN, its not polite and they are humans with their own pride and feelings regardless of their situation. Great people that have suffered much and continue to do so, but they are amongst the friendliest I have ever come across.

I left Gary in Hong Kong to fly back to Riyadh, Saudi Arabia via Singapore which gave me much time to reflect on the previous weeks, Hong Kong and street photography, Phnom Penh and environmental photography along with the people (both photographers and the photographed).

I have to say I have been lucky enough to travel extensively, been on many courses/workshops and had many memorable travel experiences but this was by  far the best experience.  So a big thanks to all but a massive thanks and huge thumbs up to Gary Tyson and F8 Photography.

Roll on the next trip……..Vietnam?? Hmmmm :-)

Final note from F8:

Gary, the Director of F8 has also written a blog post about his experience, that can be seen by clicking here.

Another of the workshop attendees, Rocco, has also written a blog post about his experience, you can read that here.

Also, Gary's assistant RJ wrote a blog post about the same trip, that can be found here.

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

EXCLUSIVE: SLR MAGIC 50mm 0.95 on M9/XPro1

(Watch seller - Kowloon - Fuji XPro1, JPEG FINE) UPDATE:  I made some comments about the white balance on the Fuji not being so great later in this post - I retract that statement as I had the camera set to VELVIA mode, so the colours are naturally boosted, making skintones much yellower than the M9...an unfair comparison, so please disregard anything about colours in the post for now, updated images coming soon with ASTIA/PROVIA film settings and RAW once available.

Its arrived!  The SLR Magic 50mm 0.95 'stealth' edition lens...one of only a few in the world available for testing....and we are lucky enough to be one of the chosen few to put it through its paces.  Unfortunately the M mount version of this lens (featured here) is not available to the public yet, so you will have to wait a few more months to get one, the initial pre-order batch for end of July has already sold out.  I think September 2012 is the next batch so get your pre-orders in quick if you are interested!

Another toy that happened to come along with it was the Kipon M adaptor for the Fuji XPro 1, so we have the exclusive opportunity to be able to show some of the first ever images (if not the first) with this combination.

Effectively on the Fuji (1x5 crop), the hyperprime becomes a 75mm 0.95 lens, great for portraits!..

(My friend Kelly helping out with the lens tests - Fuji XPro1, JPEG FINE)

The shots on this blog post were all taken on day 1, have tested the lens here in Hong Kong on a rainy night only for only about 2 hours, the images will all tell you underneath which camera was used and all are shot wide open at 0.95.  The images shot on the Fuji XPro 1 were in Vivid (Velvia) mode in JPEG FINE setting as we are still awaiting RAW conversion update for Lightroom 4, so is difficult to compare with the excellent RAW files coming out of the M9.

(passer by, Kowloon - Leica M9, processed from RAW)

With the Fuji, there is no focus confirmation, but there is the zoom button which allows very easy focus confirmation at extreme magnification...if anything it zooms too much for my liking.  Personally I found it a lot easier to use just the EVF (i normally hate EVF viewfinders) to focus it and found I could do it quickly and accurately most of the time, even wide open was easier than I thought....this gives a slight advantage over the M9, as with that of course it is always manual rangefinder focus with available light...which is fine during daylight, but much more difficult in low light, the EVF on the Fuji brightened up the scene and made it relatively simple to nail the focus.

(shy laughter, Canton road - Leica M9 processed from RAW)

I noticed Steve Huff did a review yesterday using the lens in bright sunshine with an ND filter, link here, I will be taking his advice and trying something similar myself, although unfortunately the current Hong Kong weather has little requirement for ND filters...its dark by 3pm with this crappy weather! :-(  Maybe in a few days I can get a few images up on the blog with that setup, I have only generally used ND filters either for video work with the 5DII, or with flash to shoot wide open during daylight...perhaps I will try the same with this lens :-)

(shopping, Fuji XPro1 JPEG FINE)

So, heres some more images for now showing both cameras output with the lens.  I must state again as before in all my reviews that I am a 'user' not an analyst, so i don't care much for technical jargon, I just want nice sharp images full of 'pop' coming out the other end of the camera, and both M9 and Fuji are doing that without any hitch whatsoever, I am excited to see the RAW files from the Fuji, as the JPEGs are already amazing....i think in all honesty I am still a slave to Leica though....theres just something magical about what comes out of that camera for me...maybe its the time, effort and money I've invested in the Leica system that hypnotises  me...I have used many many different cameras over the years...but like most M9 users we all agree that when it hits the target...there is nothing quite like it.

(mainland tourists in Nathan Road - Fuji XPro1 JPEG FINE)

(outside Chunking Mansions - Fuji XPro1 JPEG FINE)

(crossing the road - Leica M9 processed from RAW)

(middle of the road - Fuji XPro1 JPEG FINE)

(makeup - Leica M9 processed from RAW)

(man in street - Fuji XPro1 JPEG FINE)

(My friend Kelly again, in the subway - Leica M9 processed from RAW)

(lady in the street - Fuji XPro1 JPEG FINE)

(Kelly full length - Leica M9 processed from RAW)

(lady daydreaming - Leica M9 processed from RAW)

My main observation so far between the two has been colours....of course as stated before, its very difficult to compare RAW files with JPEGS.....so I'm not going to dwell on it just yet....more tests to come as soon as I can get RAW access from the Fuji.

You can clearly see from these samples that the colours on the Leica M9 are far better, much more natural and muted and representative of the natural light when out shooting, the Fuji images are excellent, just need the white balance tweaked for each one (I haven't touched white balance on any of these samples).

Anyway, hopefully this will show anyone that is interest in either combination of camera that they are both very very capable of producing excellent results with this lens, and I am very excited to try more shots, especially during daytime also with the ND filter.

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

Cambodia - Me & my Leica M9

Note: This is not a technical review of the Leica M9 in any way shape or form, its purely my own view of the experience of using one in the field with the images I shot to support my views, I also comment here about some AMAZING Zeiss lenses that I have been using that should definately be considered if looking for alternative glass for Leica cameras. (Children live along the disused railway line in Phnom Penh, one of the poorest parts of the city - this shot taken with the Zeiss 25mm 2.8 lens, which surpassed my expectations, delivering amazing sharpness and 3D look every time)

So its been 6 months since I travelled to Cambodia and almost as long that I've owned and used a Leica M9 for my street photography in Hong Kong.  On my previous travels I have always taken too much gear, 5D Mk IIs, lights, video kit....the list goes on...

One of the reasons I acquired a Leica M9 was to enable me to travel light and still maintain a full frame camera with high quality as well I guess as taking a step back into retro-land and simplifying the process by using a rangefinder with minimal external functions, other than aperture and shutter...

The purpose of this particular trip was a mini-workshop, teaching a few previous students some 'environmental portraiture' in a photographically rich environement, which was to be the city of Phnom Penh in Cambodia and its surrounding villages and islands in the Mekong river (blog post on their work to follow).

As I was teaching as well as shooting my own work, the Leica gear was a perfect compromise as it enabled me to move around quickly with just one small bag (the thinktank retrospective 5) with all my gear inside instead of the usual large heavy backpacks that I carry full of DSLR kits.

My packing list for this trip was:

Leica M9. Leica lenses: 35 f2, 40 f2, 50 1.4, 90 f2. Zeiss lenses: 21 2.8, 25 2.8 (quite possibly my new favourite lens). external viewfinder for the 21/25 lenses. 2 x batteries. Macbook Pro and external firewire 800 'Lacie rugged' hard drive

(I always use external firewire or thunderbolt drives to store and manage my Lightroom catalogues - it runs just as fast if not faster from an external drive (as long as not USB, and worse case scenario if my laptop were to be stolen I would still have my external drive with all my images (that stays in the hotel safe when I'm not there).

Enough of the technical jargon....below you will find images from the trip that I shot (we were there 4 full days).  All I can say at this point is the M9 far exceeded my expectations, delivering everything and more than my Canon can deliver, and to be honest I think the star bit of kit on this trip was the Zeiss 25mm 2.8 lens....it nailed every shot with some of the best 3D rendering I have been able to produce.

(More kids living in shacks along the disused railway line)(old lady, shot with the Zeiss 25mm lens...amazingly sharp)

One of the most prevalent features of Cambodia for me are the children, there seems to be just masses of kids everywhere, a lot of them living in extreme poverty yet in general they seem quite content, I guess they don't know anything else, so they just cope with what little they have.  Whilst in this run-down part of town, I noticed one child that stuck out more than others, because he was pure white....you can see him in the photograph below right.  I spoke to his mother and father through our translator (both parents were very dark - his mother can be seen in the image looking down on him).  I was slightly confused as to his origins, however they assured us that his dark skinned father was indeed his natural parent, and that the mother had watched some western TV shows and prayed for her child to look that way, and lo and behold - he was born white with light almost ginger coloured hair!

(Children of the railway village, including the 'western' looking child we found pictured here on the right)

We also found some local older girls who spoke perfect english and were happy to admit they worked as 'bar girls' in the red light area of the Phnom Penh, they were also happy to be photographed.  It is an unfortunate fact that in this city for young women living in these areas, this lifestyle is probably by far the most lucrative for them - an unfortunate situation that is probably emulated in many other cities around Asia and the rest of the world.

(working girls that live in the railroad slums)(in the doghouse...)

Although this part of town is extremely poor, it is photographically rich, every doorway and person I saw was a potential photograph, one of our workshop participants felt a little uncomfortable to shoot in this neighbourhood, feeling it was slightly voyeuristic and intrusive.  I can totally see his point and why he felt that way, but I personally have shot in many areas like this all around Asia, and my general feeling is that if you approach your subjects the right way, talking to them first, asking permission, and I also take a small Canon CP800 printer with me and supply them with prints right there and then (the battery on this thing lasts almost a week whilst churning out 40-50 prints a day!!!), then generally its a very positive experience for everyone, probably a novelty for them for some western people to visit, show an interest, give them gifts and exchange lots of smiles along the way.

(giving back a print and some candy to the kids was certainly the best way to gain access for us)

Of course a visit to Cambodia wouldn't be complete without involving some monks or temples...we didn't want to travel to the famous temples in the North around Siem Reap, instead we opted to find some working monks in pagodas around and outside the city on the outlying islands in the Mekong river, so our next day was spent in the heart of mosquito land around the rivers.  We found plenty of friendly working monks who were more than happy to be photographed, we took them a 20kg bag of rice as a gift and that opened up all the doors we needed to get some nice environmental portraits, as well as them enjoying practicing their english language skills with us.  In my experience this has been always the kind of reception I get, other people I have spoken to tell me Monks usually don't like being photographed...I personally have no experience to support that theory.

We also found a muslim area in Phnom Penh, something I had noticed on previous visits, unfortunately people were very reserved and not willing at all to be photographed, everyone I approached either ran away or waved me away, so I respected their wishes and left them alone, I only managed to grab one shot in that part of town which was a young girl who I guess was out shopping for her family, she giggled and covered her face when I spotted her, but didn't seem to mind being photographed so I took the chance and grabbed the shot from across the street.

(young muslim girl in Phom Penh)

On our last day we were finishing up and driving back to get our gear to head to the airport when we noticed a massive gathering of women and children at the roadside.  Our Tuk Tuk driver informed us that this area had a free childrens hospital so everyone was waiting for that...I couldn't resist jumping off and grabbing a few shots from across the street to create a panoramic look then getting up close with the Zeiss 21mm lens as they all seemed happy enough for me to be there...

(the Zeiss 21mm 2.8 performed amazingly on the M9)

So that was it, 5 days travelling around Phnom Penh and the surrounding villages, only the Leica with me this time, and I hope the images above can speak for themselves...with a few different focal lengths this kit was much more efficient for me than my bulky gear I normally take...I will be testing the Fuji XPro1 shortly which may indeed give the Leica a run for its money, especially given the incredible price difference and the amazing high ISO performance of the Fuji...(I tried one last night back in Hong Kong so I have seen the results already)...So until next time, I hope you enjoy the images from our travels and they can inspire you to get out and shoot...and if you haven't been to Cambodia already....you are really missing a gem of a place to visit...not to mention Angkor beer is amongst the finest ale I have ever sampled :-)

My assistant photographer RJ has also written a blog post about his experience, that can be seen by clicking here

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

SLR MAGIC 50mm 0.95 Hyperprime (FIRST LOOK)

(First shots wide open  in Lan Kwai Fong) Anyone that shoots Leica M cameras may have heard the buzz that is going around currently about this new 50mm lens that is due to come out later in 2012.

We were lucky enough to meet Andrew Chan from SLR MAGIC who let us have a play with a prototype lens here in Hong Kong for a few hours.

Something I must state up front is that firstly I am in no way affiliated with SLR MAGIC or Leica, so my opinion is completely unbiased.

Secondly, I have never even touched a Leica Noctilux lens, which of course is the only other lens in this category (unless you consider the Voigtlander 50 1.1), and to which people are comparing this lens, therefore I cannot compare quality, bokeh or any other details.

I am only qualifed to tell you what I think as a working professional and extremely passionate street photographer my views on what I thought about the lens after an hour or so of playing with it.

Please note that none of the pictures here have had any sharpening applied to them, only minor colour and tone adjustments.

We met Andrew in Lan Kwai Fong in Central, a great place to shoot in low light as there is plenty of street lighting, alleyways and of diverse characters to shoot.  Also that night it was raining which added a certain ambience to the light.

I was running a street photography workshop with Eric Kim from LA this last weekend so he joined us and posed as my subject for a few of my first test shots, which have now landed as his profile pic on his website and facebook page:-)

We will be running many more of these street photography and travel workshops regularly by the way for anyone interested, check our website here (apologies for the quick plug to my own business..:-))

(Eric Kim posing for the hyperprime...focussing was perfectly accurate at 0.7 metres)

I do own a Leica 50mm 1.4 pre-asph lens which is extremely sharp and I am very much in love with this lens, so I wanted to compare the two, not really for sharpness but more to see how big the difference in BOKEH (background blur) was between 1.4 and 0.95 and if I thought the difference was substantial enough for me to consider buying the hyperprime when it is available.

So my first thoughts in brief for this first look are as follows:

1.  Its damn heavy (as expected), its a very big piece of glass, so this is no surprise...I don't mind this fact, heavy glass means quality as far as I'm concerned.

2. The build quality feels great, very very solid...I love the smooth 'no click' aperture ring...very very cool, and lovely built in sliding hood and screw on lens cap.

3. Its gonna be expensive...nowhere near as expensive as a Noctilux of course, but its gonna be a lot more expensive than the Voigtlander 50mm 1.1 (I have used that lens, and unfortunately I'm not a big fan of that particular lens although for the price it is still very acceptable for many people).

4.  The BOKEH is AMAZING!!  Yes, I compared it to all I had available...which is a 1.4 and of course there is a big difference between the two.

5.  Its damn SHARP wide open....I took about 100 shots with it, all wide open...and found about 90% of the shots were pin sharp where I focussed, I am sure any mis-focussed shots were only down to me, not the lens.

(Eric Kim  in Lan Kwai Fong)

Please bear in mind that I am not a technical guy...to be honest, none of my Leica lenses are coded, I don't notice any problems or differences between other lenses that are coded that I have used, maybe I'm lucky, or just ignorant...I don't look that hard, I just want to make strong images, and I'm more concerned with my subject matter.  I don't get too excited about whether a lens has a very slight vignette effect, MTF charts or slight barrel distortion...I'm a photographer...not a scientist :-)...Most imperfections in my opinion (especially vignette or barrel distortion can be fixed in Lightroom 3 in about 2 seconds, and even quicker if u set up a lens profile preset that if you had any issues, so could easily be fixed on import without ever having to do anything).

Just to note on my previous paragraph, I didn't see any vignette or distortion with this lens, but i didn't test it for these factors either, as I said I tested it as a photographer who shoots low light portraits and street photography.

To summarise, are these very few points that I have addressed enough to make me want to buy one?....the short answer is YES...I want one NOW.

I will be contacting Andrew at SLR Magic to get my name on the list...I will buy one as soon as they are available...not because I'm a gearhead (that's debatable among my friends :-)) but purely because I LOVE to shoot in very low light...I love BOKEH....and I love to save a bit of money where I can...there's no way I can afford a Noctilux...the Voigtlander 50mm 1.1 is not in the same league in my personal opinion.....so this is where SLR MAGIC is going to fill the gap with regards price...but with quality I suspect they may well overtake the Noctilux....I really can't fault this invention and I hope the production copies are as accurately calibrated as the prototype I played with.

The camera world is very exciting at the moment, and I'm very positive about this lens and am sure its going to be a great success.

Here are a few other images shot with the lens, all wide open on the M9.

(Me, photographed by Eric Kim at minimum focussing distance)

(shot wide open from a bit further back..)

(wide open, shooting through my friends with background about 10 metres away.)

(black and white conversion)

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

No Photos allowed.....or are they? (VIDEO)

Cat Street market stall advertising 'NO PHOTOS'

In recent news here in Hong Kong there has been much controversy about photographers rights to shoot in public places (in particular in front of large branded designer stores, etc).  Security guards have been misinformed by their employers about what is 'public space' in front of a shop and therefore this has led to confusion, aggressive and sometimes even violent confrontations between photographers and staff.

These big stores are not the only places that try to 'enforce' a ban on photographers, even small market stalls have signs up saying 'no photos', 'no cameras', or 'photo - $200', etc.

To those of us in the know, this is basically outrageous behaviour on behalf of the shopkeeper, trying to create some kind of martial law around their own property, thinking they can control what you do with your camera in a public space.

Now, I don't want to confuse the issue of photographing people, I am well aware as should everyone be that some individuals do not like having their photograph taken, especially without permission, and I  completely understand the issues surrounding that.  This is not what this blog post is about, it is purely about having the right to shoot an interesting market stall, a shop facade or interesting building without having to worry about consequences or thinking that you are doing something wrong - you are not, its well within your rights to take photographs.

This short video we shot in an hour or so the other day shows a quick walkaround Central and Sheung Wan in Hong Kong shooting a few market areas where they have these signs.  I have heard many people say they get confronted in these places so thought I would try to see for myself if we had similar problems and I highlight in the video the ways in which we shoot to try to avoid confrontation.

This is the first DSLR video that Gurung RJ has shot with very little instruction in advance, so I must thank him for his efforts in helping me put this together.

Also a special thanks to Will Gell who has very kindly allowed me to use his music for various projects, amazing musician, check out his albums here:

Please remember when out shooting that you WILL upset some people sometimes, that's unfortunately the nature of the beast with street photography, some people will always react negatively no matter how polite you are, maybe they just had a bad day, or maybe they just grumpy...thats life, its a choice you make if you wish to become a street photographer, never take it personally, and try not to respond in the same manner, keep smiling, say thank you and continue on your way.

Previous recent blog posts that relate to the same issues are linked below, the first one has an extensive video shooting street photography in Kowloon with a GOPRO camera attached to the top of the Leica M9, linked together with the images that we captured during the walkabout:

HOW WE SHOOT STREET PHOTOGRAPHY IN HONG KONG (VIDEO)

DOLCE & GABBANA PROTEST FOR PHOTOGRAPHERS RIGHTS IN HONG KONG

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

Street Photography...underground

Something I hear a lot is "I went out shooting and there was nothing to see", well my honest reply is....."there is ALWAYS something to shoot", no matter where you are, there are always things to find of interest, be it people, buildings, landscapes or even subway station markings as was the case in subject for this little adventure...

The subject of this post came about whilst we were out shooting street photography one day, we were spending a lot of time in-between our chosen locations on the Hong Kong MTR (subway/tube) then we came up with a quite random idea of shooting the station names at each stop and making a fine art print of it.  Now this is a subject that most of us in Hong Kong see every day, but somehow for me is much more interesting when seen in a collage type image because of the patterns and colours, etc.

Rocco was using his trusty new found friend the Fuji X100 (he also uses the Leica M9 and for film shooting the Leica MP) and I was using the Leica M9 which I use exclusively for all my 'non-commercial' shooting.  All these cameras are absolutely perfect for shooting 'street photography' and anywhere where you need discretion, such as the MTR, due to their low profile size which is generally not intrusive or offending to people.  This is not to say that other cameras are no good, I personally think my Canon 5D Mark II image quality is second to none,  these are just our personal choices to achieve maximum image quality with a low profile camera in these environments.

So, technical jargon aside, we photographed all the station names along the entire Tsuen Wan line (or red line), and along the way I photographed pretty much every sign, marking and logo I could find on and off the trains that was relative to the MTR experience, with the idea to produce some quirky images of the subject as can be seen in this image below.

I think by the end of this day, we had shot far more images on the MTR system than we had on the street, and that's a good thing, as we shoot street photography several times a week already, so it makes a nice change.  Signs like the ones below I had never noticed before, 'no spitting'; you would think that is an obvious thing that people wouldn't need reminding to refrain from doing in an enclosed environment around other people!

We spent a total of around 3 hours shooting the stations, in theory if it had been pouring down with rain outside, we could have shot this whole project without getting wet, so even on those types of days, this kind of thing would be a perfect little project to work on for something different - no excuses for not getting out taking pictures, wind, rain or shine!

The message in this whole post is really about 'opening your eyes' to what is around you, we all rush around too fast, especially in these big cities where life's pace often overtakes us and gives us little time to absorb what is all around, but it is really important as a photographer to take the time to step back and observe, you really will surprise yourself if you can find the time to do this a few times a week, even if its only for half an hour, its an amazing world we live in, both in black and white and colour, so get out there, find something ordinary and make it extraordinary!

Upcoming blog posts will talk about where we print and frame our images here in Hong Kong, and the software we use to very quickly put together multiple images like in the montages above.

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

So Uk - The oldest government housing in Hong Kong

Sunday morning, and myself and good friend and fellow Leica photographer 'Rocco' met up for a traditional English breakfast in Soho before deciding where to head out for some street photography on this pleasantly sunny but chilly Sunday morning. We decided to visit 'So Uk' in Cheung Sha Wan, reported as the oldest government housing estate in Hong Kong.  We thought it might make an interesting subject so we jumped on the MTR and headed off into Kowloon.

We did a little googling on the way to find out more information: the 16 block estate was constructed in 1960. Unlike many public housing estates built afterward, the architectural design of the estates is unique in Hong Kong. There are 5,316 flats in the estate, with capacity of 15,200.

Upon arrival I was slightly surprised, I thought it would look more 'run-down' being the oldest estate, but it was very well maintained and clean, a far stretch from any of the older government housing I could find in London or anywhere else in Europe for that matter!

The kind of images I had in my mind before going to So Uk were 'texture', 'symmetry', 'shape'....  So At first I tried mainly to look for these kinds of images, which were everywhere to be found, as you will see later in the blog post though....I always seem to gravitate towards 'people' photography, no matter where I go, just can't help it!

Another shock for me was that almost every single person i met spoke perfect English and were super-friendly towards us, maybe they don't see too many 'Gweilo's' (westerners) visiting the estate, I am not sure, but either way, it was very pleasant to be able to chat to many different people around the estate and find out a little about their life there.  The image below shows Pat, Harvey and their small Peking dog called 'Bun Bun'.

Another lady we met at the entrance to the estate was equally happy to chat to us, maybe she wanted to practice her English, I am not sure, but one thing for certain was everybody we met was more than hospitable towards us, at first I thought she was pushing her children or grandchildren in the a pram...then I realised it was two poodle dogs dressed up - amusing for us, and a common site around Hong Kong.

The children we encountered were equally keen to chat to us and asked to be photographed when they saw our cameras....Something else I noticed as there is not much 'green' space for gardening in these kind of places was the abundance of Bonsai trees decorating the entire area which also added to the serine peaceful feeling about the place.

As we walked around, something else caught my eye - a pre-wedding photography shoot was happening on the roof of the car park!  I guess it makes sense as the place certainly has some contrasting views to the bright red costumes the bride and groom were wearing, so I approached them, had a little chat and asked if I could photograph them all together, as I find the costumes very interesting and again must emphasise the total friendliness of the people around this place.

A few other individuals we met also chatted away to us at length and we met a group of young local photographers who were doing the same thing as us, just exploring the area, so we grabbed them for a quick photograph as well.

So after a few hours in this wonderful part of Hong Kong, we stopped at the local 'cafe' for a hot coffee....perhaps this is the reason I don't live in this part of town.....it is way too far from the nearest Starbucks for me! :-)

Thanks for taking the time to visit our blog, if you like our blog and website, please 'like' us on our public Facebook page also.

F8 Photography provides commercial photography and training across Asia, with upcoming workshops on Street Photography and other photography and video training courses, more details can be found via the 'courses and workshops' link via the front page of our website.

Street Photography Workshop with Eric Kim - 24th-26th Feb 2012

So its finally happening!  Eric Kim is flying in from LA to host with F8 Photography a 2 day Street Photography Workshop.

There are limited places, so sign up fast if you are interested, we expect this workshop to sell out quickly, as have all Eric's workshops in Asia and over the world.

The workshop will take place from the evening of Friday 24th until the evening of Sunday 26th February 2012.

All the even details and signup information for the event are here or at the following link and from the events shortcut on the front page of our site:

http://www.f8photography.com.hk/event/streetworkshoperickim/

How we shoot Street Photography in Hong Kong (VIDEO)

A lot of people have been asking us how we get close up pictures of people out on the streets in Hong Kong, so we decided to make a short video to show exactly how we go about getting these images. We attached our little GOPRO video camera to the top of the Leica M9, plugged in a wireless microphone to a small Zoom H1 to record the voice and then went for a walk for 2 hours round Mongkok, Yau Ma Tei and Jordan in Kowloon to see what we could shoot.

This video is a short insight into how we generally shoot our street photography, we really try not to offend anybody out on the street, some people are camera shy, that's normal, you have to just move on and not take it personally, theres millions more interesting subjects just waiting for you to photograph them...

We emphasise throughout the video the camera settings and techniques we are using, so this video hopefully can be of use to anyone that is unsure of what settings to use for fast paced street photography.

We are very interested to hear everybody's comments or critisicms as we are always striving to improve, so feel free to comment below on anything you have seen in the video or you think we should be doing differently.

Please feel free share this link on your blog, on your facebook and recommend it to friends, we are trying to get as much exposure as possible with these techniques to help anyone who wants to learn from it.

F8 Photography runs all kinds of photography training as well as upcoming street photography workshops, so if you are in Hong Kong and interested in this style of photography, contact us to register, we will soon be launching an events page with all the details of all our 'street' workshops.

If you like this post, please 'LIKE' us at the bottom of the page and Facebook via our links below.

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